IRCC3 Layer 4b-Fan handle sculpting is complete!

I added the final flourishes to the dragon-leafy things that stick out at the sides of my fan and managed some passable leaf shapes on the lower handle which left me with only the uncharted territory of the back to address. Orsi's design doesn't include a reverse image so I set out to look for something suitable...without much luck until I had the happy thought of looking at Orsi's's other work and found this frieze with a suitable cartouche

Ornamental Frieze

Lelio Orsi (called Lelio da Novellara)  (Italian, Novellara 1508/11–1587 Novellara)

Some day I'll actually have a registered device which I will paint onto it!

Back

Front


Hopefully I'll move on to painting tomorrow.

IRCC 4b- More pretty pictures of the fan in progress

One interesting thing about the paperclay is that it doesn't particularly want to stick to the dry version of itself. I was using it more like plasticine--adding it in layers and attempting to work to a level of perfect detail--but paperclay seems to respond better to a freer approach. I've been wetting down the dry surfaces to make them more receptive to additions and now I'm trying to work on larger areas in one go.

I notice that the pieces have a lot more life and it feels great to be getting things moving!

IRCC3 Layer 4c - Veil finis!

Or, rather; Il mio velo è finito!

I am saving the final 'as worn' photos for the unveiling of our finished projects ('Unveiling!' Get it?) but here is my new veil in bits and pieces.

The shape:

I've been pondering the shapes of veils in the Spanish tailors book, and the intriguing veil ends which continue up over the chest to tie behind the neck in some illustrations, and the basic 'no waste' thought process which underlies rectangular construction methods...smooshed all together. I took my rectangle of veil cloth and folded it in half--head to foot--and then found the midpoint on each side. I cut a swoopy s-curve shape from the center back fold line to the mid-point, pivoted and attached the pieces to the main body and created a HUGE sorta semi-circular veil with long tails.




I hemmed the edges with repeated passes of zigzag stitch and folding (taking advantage of the opportunity to straigten the edges as I went along)





and then braided the dangling threads at the tips. I think the braid puts the excess thread to good use, extending the length of the ties and making a cord that will be very easy to tie behind my neck.




In the end I am hoping for a semi-circular version of this




As a final little trick, I adapted a ruff-making tip I learned from Noel Gieleghem's excellent ruff-making directions and stitched a small marker at the center point of the leading edge of my veil. It's not really noticeable but I can feel it when I run the edge of my veil through my fingers and I'm sure it will help me keep it centered when I'm pinning it into my hair.

IRCC3 Layer 2: Another blast from the past.

I know that I want to make up a dress from the terrifying, beautiful, blue silk I bought (but never used) for IRCC2. I've been fretting and pondering and wondering "how am I gonna get a dress-preferably with sleeves-out of a mere 3 yards of fabric?" "And a train! I want a train! Can it even be done?" After working myself into a veritable tizzy I went looking at my posts from last year to remind myself just how stunning that silk is...and discovered I have nearly 5 yards or it!


Now I distinctly remember working myself to the same spot of frozen panic last year. But this year? Hey, I just found out I have an *extra* two yards of fabric! I can do this!





Ooooo.....soooooooo pretty!

"What's that?" you say. That, my friend, is a big heap of veil!

I'm a natural fiber girl, by preference, but I'll make exceptions for a synthetic fabric that really gives the feel of what I'm trying to represent. Thus, after I became enamored with striped veils during the IRCC2 I snapped up a remnant piece of sheer curtain fabric that hit nearly every point I was looking for. It's an off-white to complement my complection and hide dirt, it's really sheer, it has widely spaced stripes, and those stripes have depth in comparison to the rest of the fabric. Although I would have preferred a silk with a stripe of black or gold, at a width of 110" and a price of about $1.50 this was the perfect fabric!

One of the nice things about not even starting projects you planned to do for an IRCC is that sometimes they are still waiting when the next one comes round. Today I took a little look at the veil patterns I found last year, took up my fabric and scissors and set to. I've only got the first seam finished but I am loving the look of the fabric and feeling good about the shape. I can hardly wait to see how it comes together!

A bit more progress on the fan

'Real Life' intruded and has eaten up the vast majority of my weekend thus far but I did manage to get in some work on the fan handle.



I hope to get better at acanthus leaves...someday...but I'm pretty happy with the pedestal.

News. Some good, some...well...?!

The bad news is that acanthus leaves are, apparently, very hard for me to sculpt. I keep applying some paperclay and working it into something almost entirely un-like an acanthus leaf. (Sigh) Perhaps the 4th or 5th or 18th try will be the charm!

The good, but rather surprising news is that I can sculpt faces! (Who knew?) And even some fairly good hair!





My little man is coming together! In fact he is coming together so well that I couldn't resist sticking some feathers in for a peek.



Nice!