Testing...

Last year after I bought the stunningly beautiful blue silk which I have been afraid to cut I bought a printed linen in a similar pattern to make an under gown and test out a cutting diagram before cutting into the silk. The linen was still patiently waiting in my stash, untouched, but I have finally begun putting it to it's intended use!



The cut:

My fabric was cut evenly at the top of the pattern repeat at one end and a bit raggedly and off the repeat at the other. My skirt length varies from 42" in front to 45" in back and the pattern repeat of my fabric happens to fit exactly into 45" sections so-working from the good end- I cut one full width of fabric, 45" long for the front panel. since I want a train on this dress I used the somewhat raggedy end of the dress length for the back of the skirt. I picked a pattern transition point about 15" up from the edge and measured my 45" skirt length from there. I will eventually curve the button edge of this panel to form the train.

I am using the burial dress of Elanore of Toledo as my starting point for the patterning of the skirt but fabric constraints prevent my skirt from being quite so lavish. After I cut both the front and back panels I had about one and a half skirt lengths of fabric left. I decided to split this piece lengthwise into three sections, 1/4, 1/2, 1/4, so that I would have the full center of the panel to use when making my bodice and as much length as possible for making the sleeves. The 1/4 width panes are being split into triangles and inserted between the front and back panels to create a greater sweep of the skirt at the hemline and help the train to drape gracefully.

Now I just have to sew while keeping my fingers crossed that it works!

As to the sewing itself, I'm finally trying the period method of hemming each piece and then whip stitching them together. I think I like it. :)

IRCC 2 Planning. OK, I Admit It. I'm Weak.

Well, many of my 2nd IRCC gown choices have just been decided (by implication, at least) by my purchase of some fabric. Not quite as much as I'd like--there were only 4.75 yards available and I prefer to have 10 yards on hand when I start on a gown--but such stunning fabric that I just couldn't resist any longer!

I am going to make the best outfit I can based on this cloth:





In a way having such a scarcity of cloth feels authentic to me. I'm going to have to wait until it gets here to figure out how to make the best use of the fabric--I certainly don't have any to waste! And this may just be the outfit which makes me let go of my modern insistence on matching the pattern...I guess we'll see!

I have to admit that even the simplest of dresses would be amazing in this fabric.

(And it's mine! All MINE! Bwwahahahahaha!)

Ooo! More stuff from the stash

While I was poking around in my box of trims I also came across this














Short blue fringe

and this














Blue velvet, black cord and "gold" trim

I have a theory that fringed edges may help keep bugs out of the tent, so I'll probably use the fringe on the bottom of the door curtains, but where else? The doorway opening?

Would it be strange to use it at the bottom of the mottoe band, even though the tent walls don't seperate there?

And the other trim...what to do with you....

Wow. Gold ribbon? NICE......

I am so glad I looked in my stash. The ribbon is magnificent on the lettering. There is really no other word for it. It sparkles--even in the dark. It is just the right size. And strangely the weave of the ribbon even makes it look like the whole letter was embroidered in satin stitch. (But all I had to do was stitch the edges down. Woo hoo!)

I have no idea if it will hold up once it is out in the elements, but I am really glad I decided to try it out. Below, see the wonders of what cheap-o "gold" ribbon can do in the right application:



























The lettering on my Pavilion, in progress