And for the Walters Art Museum, Huzzah!

You may have suspected that I have a tiny bit of a crush on this museum, and you'd have been right in the past. But not anymore! Now my admiration has blossomed into a feeling far to warm to be described as a mere crush, and in a moment I think your's will too.

They are offering the companion book to their exhibit, "Revealing the African Presence in Renaissance Europe" free for both viewing on-line and downloading.

I'm still gonna by a paper copy but now I'm gonna ask them to autograph it! <3

Renaissance Africans in Europe...and BALTIMORE!

Wow. I really don't know what to say.

Being in an art museum that has *any* depictions of black people is pretty rare in my experience. If we are there we tend to be the ketchup of the show, not the burger...or even the fries. Just the condiment that underscores the importance of the main dish.

Unless, of course, it is a special exhibit of some kind...(sigh...)

So here I am at the Walters and it *is* a special exhibit, but for the first time in my experience it is truly a show about me. My timeline and place in art and the world, and history. I'm surrounded by folks who could be my family, wearing things I would wear, doing things I might do, and suddenly I'm not that weird black girl who likes to pretend to be 16th century Italian. (Like *that* could have happened! ... Insert eye roll here.)

I'm that weird 20th-21st century girl who likes to investigate her cultural history. I *belong.* We really were there.

And I gotta tell you, the painting of a whole gang of Black Landsneicht is a real life changer!

And now for the lecture...

Hi from Baltimore!

I'm here and braving the potential hurricane to see the REVEALING THE AFRICAN PRESENCE IN RENAISSANCE EUROPE exhibit I previously mentioned. As it happens, the only day I can visit the show is also the day they are having a 4 hour forum about it. So I'll be there too, of course, and I also hope to pay a visit to their very nice collection of renaissance jewels, and who knows what else?

The erie absense of black folks

I found another Portrait of Maria Salviati
the one in the frame is by Jacopo Carucci after Pontormo, 1543-1545
Inventory Number 3565 from the 1890 inventory of the Uffizi collection.

Looking at the second painting I can't help wondering...is there another little bi-racial girl hidden under all that black paint?

Three words: SHEER BLACK PARTLET

Haven't you always secretly wanted one?

















Portrait of Victoria Colonna
Cristofano Dell'Altissimo, 1552-1568
Polo Museum, Fiorentino

Inventory of 1890 Item #204

I'm poking about the online inventories of the Uffizi in Florence today. It's a bit confusing because they maintain their info based on the cataloging event, which means you have to search each group seperately.

I found the search engines through: http://translate.google.com/translate?hl=en&sl=it&tl=en&u=http%3A%2F%2Fwww.uffizi.firenze.it%2Fmusei%2F%3Fm%3Dcostume

Click on "Digital Archives" in the menu on the left. Searching the inventories has been working for me.

OMG. I apologize.

For years I have been muttering inside my head about people who inserted permenent puffs into their clothes rather than pulling out their shifts, smocks, shirts, camicias, or what have you.

I though the static puffs were a modern costumers' convience.

I stand corrected.



Maniche Su fondo ocra piccoli motivi di tulipano marrone disposti secondo teorie di fasce parallele sfalsate. Ai gomiti e all'attaccatura della spalla "sbuffi" di raso di seta bianca. Piccoli lacci nella parte alta della manica. Abiti (which Google translates as "Sleeves on small ocher brown tulip motifs arranged in parallel bands staggered theories. Elbow and shoulder to root of "puffs" of white silk satin. Small laces at the top of the sleeve. Clothes"}
XVI-XVII 1580 1620 fine/inizio
Ca' Mocenigo Centro Studi di Storia del Tessuto e del Costume

Clearly, I don't spend enough time doing research.

I just discovered that many of the Venetian museums have pooled their artifact collections together into a single, searchable, database at: http://www.archiviodellacomunicazione.it/Sicap/opac.aspx?WEB=MuseiVE&LNG=ENG

I searched for "tessuto" and found this!


"Arte spagnola
Tessuto Velluto chermisi tagliato ad un corpo con applicazioni in raso di seta prodotto dall' orditura di fondo in seta gialla e da una trama di fondo verde Tessuti
XVI 1500 1599 inizio
Ca' Mocenigo Centro Studi di Storia del Tessuto e del Costume "

It's very like the applique work I am doing on my pavillion and it's giving me some great pointers for how I can use the couched thread for detailing overall.

I'm such a happy camper!

Just one more from the Walters Art Museum, Baltimore

Kitchen Interior, Dirck de Vries, Netherlandish, ca. 1600

And this is why we love the Walters Art Museum, Baltimore

Because they have Great Stuff! For Example:















Gondola Ride (A page from a larger work "Book of Italian Costumes")Niclauss Kippell (German) 1588

And they plan Great Exhibits! I know where I'll be this fall. In celebration of my birthday I'm going to their upcoming show:

Revealing the African Presence in Renaissance Europe

This is particularly timely for me because I have spent the last few days working on a page of black folks in period art. One of my personal challenges as a reenactor of color has been finding a plausible persona which *includes* (rather than ignores) my actual ethnic heritage. I've been scouring the web looking for the occasional images I can remember seeing of people of African heritage just living their lives in Venice, or Amsterdam, or wherever. They are there, yes, but terribly hard to locate...and then here comes The Walters Art Museum with an entire show which not only discusses the history and art of the period but also what has happened to the works over time.

(Apparently the little Medici girl in the painting below was painted out in the 19th Century and rediscovered during cleaning. Wrap your head around that.)

I can hardly wait for the show!


Portrait of Maria Salviati de Medici and Gulia de Medici, Jacopo Pontormo, 1600
Walters Art Gallery, Baltimore, Maryland

Another site for extant tents

My mother has a bit of an adventurous streak in her, and in the late 80's she moved off to live in Turkey for about 10 years. Thus, when I told her about my interest in period pavillions she casually informed me that there is a collection of ancient tents and liners in the Turkish Millitary Museum in Istanbul, and then she gave me books!

(I can only find one of the books at the moment: Osmanli Cadir Sanati (XVII - XIX. yuzyli), Taciser Onuk, T.C. Kultur Bakanligi, 1998. In English: Ottoman Tent Art (XVII - XIX. centuries))

I, of course, devoured the books a gulp and rushed off to look up the Museum site, which I present to you here

Askeri Muse ve Kultur

Note: click on "Albumler" and then "Cadirlar" or, if you can find it, "Askerî Kıyafetler Salonu,' or "Üst Kat Salonlar" and then "Çadırlar Galerisi." I warn you, the links shown in the menu on the left of the page seem to change nearly every time I go to it. but keep trying. sometimes clicking on white space will make a whole new list of choices appear. (This works for me when the cursor, not the arrow is showing as the pointer.)

I managed to wend my way quite deeply into their photo galleries a few years ago, but then my computer crashed and I lost all the links so I am simply posting what I've got, for now.

I hope to get back to this on-line research project at some point, but for now I am making a pavillion! (Busy, busy.... :)

Note: see comments below for a bit more explanation of how I've found the pictures when the links aren't showing...

Inspiration

A link to a site which has captured my imagination, answered my questions, and beguiled my time on many occasions...






Support disk after conservation

http://www.dhm.de/restauratoren/zelt/start.htm

It is the diary of the Deutsches Historisches Museum conservators restoration of a Turkish tent captured in 1683. (But dated earlier as I remember.) The links on the left go to German text, the ones on the right are in English.

Absolutely beautiful!

More importantly it is full of details on the materials, construction, conservation and erection of the pavilion.

And, as I said, absolutely beautiful!