IRCC3 - Skirt front is assembled

Now I'm working on the back. :)

IRCC3, Layer 2 - Pattern Matching: your mileage may vary

Because the 1/4 width pieces I am using for the triangular shaping in my skirts were actually longer than a skirt panel I am able to play about a bit with the positioning of the pattern on the piece which will be upside down. I tried various things:

Alternate side
even at the top * slightly raised * nearly even at the bottom


And the original side, nearly even at the bottom


While I found the various combinations of wiggly lines interesting, I decided that this version, which continues the rhythm of focal spots horizontally across the breadth of the skirt, is most appealing to me.



And did you notice how nicely the patterns match on the triangles I already attached?

OK, I admit it. I'm afraid of trains.

Not wearing them, or even sewing them, but my brain has been shorting out on the subject of drafting/draping trains on my courtesan gowns for quite some time.

I think it is because I usually make the body of my skirts as a straight tube of three or more widths of fabric. If I add a small train of 5" or so to the back panel of such a skirt it is generally full enough that it can adjust to the slight drape without an awkward pull to the waistline, but the trin looks too small (side to side) and too shallow (front to back). If I were to extend the extra train fabric to two or three panels of the skirt the train would likely appear wide enough but I think the skirt would break with a fold line at the floor rather than gracefully trailing behind.

I haven't had any luck finding descriptions on the Internet about adding a train in my situation, but I think the edvidence of the Elenore of Toledo burial gown has given me the information I needed. It's the triangular sections that connect the straight front and back sections! In hindsight it seems fairly obvious that such a section would be needed to guide a trained gown into a graceful sweep |\ .... but I'm gonna say it anyway, Eureka!

Since I only have 2 1/2 widths of fabric to work with it is especially important that I build in as much room as I can in that back sweep or the whole gown is likely to look ridiculously skimpy. The extant gown shows that part of the back panel was taken away at the sides on the upper half and likely used to fill in the bottom, making the back piece more of a wedge. Since my waist is proportionally unusually small I don't need the fabric at the top of my skirt nearly as much as I do at the hips and below so I too will be sneaking some fabric out of the upper back to add to the lower.

Stitch, stitch , stitch...

Testing...

Last year after I bought the stunningly beautiful blue silk which I have been afraid to cut I bought a printed linen in a similar pattern to make an under gown and test out a cutting diagram before cutting into the silk. The linen was still patiently waiting in my stash, untouched, but I have finally begun putting it to it's intended use!



The cut:

My fabric was cut evenly at the top of the pattern repeat at one end and a bit raggedly and off the repeat at the other. My skirt length varies from 42" in front to 45" in back and the pattern repeat of my fabric happens to fit exactly into 45" sections so-working from the good end- I cut one full width of fabric, 45" long for the front panel. since I want a train on this dress I used the somewhat raggedy end of the dress length for the back of the skirt. I picked a pattern transition point about 15" up from the edge and measured my 45" skirt length from there. I will eventually curve the button edge of this panel to form the train.

I am using the burial dress of Elanore of Toledo as my starting point for the patterning of the skirt but fabric constraints prevent my skirt from being quite so lavish. After I cut both the front and back panels I had about one and a half skirt lengths of fabric left. I decided to split this piece lengthwise into three sections, 1/4, 1/2, 1/4, so that I would have the full center of the panel to use when making my bodice and as much length as possible for making the sleeves. The 1/4 width panes are being split into triangles and inserted between the front and back panels to create a greater sweep of the skirt at the hemline and help the train to drape gracefully.

Now I just have to sew while keeping my fingers crossed that it works!

As to the sewing itself, I'm finally trying the period method of hemming each piece and then whip stitching them together. I think I like it. :)

IRCC3 Project 4....something.....done!

I scampered off to the store today to get some more supplies for my golden chain girdle, more acorns and jump rings, but discovered that they did't have any jump rings which compared to the ones on the original acorn chain which I had been using to assemble the belt. Given the choice of going smaller or larger in diameter I went with larger.

I assembled the belt so that the acorns on both ends are top up, pointy end down when the belt is being worn, but that meant I needed to do some fancy maneuvering to end up with two acorns with their caps back to back at my spine and sufficient chain in front to fall under the waist point of a Venetian bodice and also enough dangling chain to hold and use the fan. But not so much the fan dangles on the floor when I'm standing! I think I had it figured out pretty well, but then I ended up making some changes to my belt. So I guess we'll see when it all comes together.



As you can see from the picture, above, the original jump rings were small enough that they drew two links they were joined to together and caused a small gap between the links of the main chain. I loved the intricate, interlace look that gave the girdle, but it also substantially weakened and shortened the girdle so I ended up replacing all the jump rings with my new, larger, rings.



It all hangs quite smoothly, now.

IRCC 4d? Anyway, It's another accessory! (or part of one)

You know how it is.

I finished my fan and spent a couple of days glorying in my accomplishment...and then I started thinking that now that I have a feather fan with a hanging ring I need a girdle to hang it from. So I go to the hardware store and buy a package of a nice, slightly ornamental, gold colored chain and I'm thinking "OK. I got the chain. Now I go home, measure out the correct length, bend some hooks, throw it together and hit it with Rub n' Buff so it kinda matches the fan. Done!"

Of course, that's not how it's working out. :)

Once I had the chain home, and the fan attached, it just started seeming...skimpy. It is nice chain, and the correct scale but it needed more ornamentation to complement the fan. I was pondering the possibilities of wired on filigree pieces, or pearls. Then it occurred to me that the leftover acorns from my hairpin project were a good size for putting in the spaces between the links and a few minutes later my new girdle was begun! I'm suspending the acorns between two links so they fall in the middle of the alternate link and I like the look and feel a lot but the whole project is on hold overnight because I need more jump rings.

In the morning I'll be off to the store and I'm hoping to return with more of the acorns and jump rings plus thread to match the sottana which I am finally working on. (Surprise!)

The original chain, disassembled, and reassembled

Why I love e-bay #327

This!



Now all it needs is a reticella edging and it will be the perfect hankie.