I have a picture I want to share with you from a costuming perspective but I also find it to be a very disturbing image of institutionalized violence against women.
I've been flipping back and forth about it, but today I decided that our history as humans is what it is--good an bad. That said, I found another very interesting image in that great book I have been looking at lately "El traje y Los tipos socials en El Quijote" by Carmen Bernis.
Bearing in mind that my contemporary Spanish is nearly non-existent and my archaic Spanish even worse, I gather that it is part of a series of mural paintings dating from the early 1600's from a monastery (possibly in Guadalupe), and that this particular scene portrays an incident in 1593 involving the exorcism of a courtesan.
Her clothing is interesting from a historic costumer's perspective but the whole image is so fraught with emotion and layers of meaning that I find it hard to look at.
And that would be my kind of warning regarding Adult Content Ahead
Detail
Curation milagrosa de una endemoniada, comienzos del siglo XVII
Pinturas murals del claustro del monasterio de Guadalupe
Anything I could say about her bodice/corset would only be speculative, but I note that the bottom of my hemp corded bodice behaves in just the same manner as her's is doing, and that the decorative detailing in the bands at the top and center front would be quite supportive if they were actually trapunto.
And trapunto could handle those corners...hmmmm.
Sunday, June 3, 2012
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oooohhhh- I love trapunto! and I can see exactly what you are talking about!
ReplyDeleteIt makes me wonder about other bodices with similar lines that I have been assuming were a decorative ribbon trim...
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